It was directed by Jonathan Teplitzky, director of The Railway Man (again shot in Scotland) and photographed by David Higgs BSC.
No Livegrading this time. All back-ups, editorial dailies, and iPad dailies were created near-set. The editorial dailies were 'sent down the line' to post using AFrame at Serious and coloured using Davinci Resolve onset.
Unsurprisingly, shooting Arriraw on 3 Alexa's generated a lot of data. Sometimes upto 5 hours a day which was no easy effort to provide 30 minutes after WRAP. But it was done!
No comments:
Post a Comment